Wednesday, March 5, 2008

“Chicago’s Battle Ready Library”
Louis McGill
DePaul Univsersity

As one looks between the portraits of General Ulysses S. Grant and General George H. Thomas that grace the walls of the first floor of the Harold Washington Library, one can't help but wonder if they ever guessed that some time in the future, their images would be locked in an eternal staring contest on the walls of a library, with a portrait of Abraham Lincoln watching over like a chaperone, as if to keep them out of trouble.


With Memorial Day approaching, Chicagoans may want to pay them a visit.

These three paintings come from a vast collection of civil war art and artifacts housed in the library in the Special Collections department. Among the paintings and sculptures are such items as cavalry swords, uniforms, diaries, manuscripts, photographs, and weapons. The collection even has in its possession Grant’s saddle, and Mary Todd Lincoln’s underskirt.

This collection was acquired from the Chicago branch of the Grand Army of the Republic veterans association, which formerly shared a building with the Chicago Public Library’s main branch, which is now the Chicago Cultural Center.

The site of the building was originally contested by the GAR. “The GAR felt that the former site of Fort Dearborn would be better used as a veterans home rather than a library,” says Sarah Welshman, librarian for the Special Collections and Preservation department. The two organizations compromised, and a large part of the second floor was leased to the GAR for fifty years.

Over the years, the Grand Army collected many of the artifacts that are now in the Library’s collection. While they still controlled part of the library’s second floor, they kept these items on permanent display. When the lease ran up the library declined to extend, and when the last Chicago veteran of the Civil War died, he donated the whole collection to the library.

On the ninth floor of the current library, in the Special Collections reading room, historical faces line the windows. Heroes and politicians, immortalized in bronze and marble, stand watch over the cases of artifacts on display.

Due to the Grand Army keeping so many of the artifacts on permanent display in the former library, the items on display in the library are a mere fraction of what the collection holds.

“Since there was no protection from the sunlight, many items in the collection were damaged and are now protected”, says Welshman. The idea of permanent display rejected for the sake of preservation.

The library does allow people to view the items, however. All it takes is a reservation with the Special Collections department and a wealth of history is available to any patron or researcher who wishes to view or study the artifacts. According to Welshman, people come from all around to view the extensive collection.

Because of the generous donation by the Grand Army of the Republic, the Harold Washington library could be the most battle-ready library in the nation. There aren’t many other cities that have cannons perched on their sixth floors, defending the library’s wealth of art and literature from the office building across the street.





Sources:
Sarah Welshman
(312) 747-4300 (Harold Washington Library number)

Multimedia:
Video
http://video.google.com/videoplay?docid=-4499017632849352804&q=harold+washington+
library&total=26&start=0&num=10&so=0&type=search&plindex=0
pictures

Wednesday, February 27, 2008

“DePaul University lands Nick Swardson for Performance”


“DePaul University lands Nick Swardson for Performance”

Louis McGill

DePaul University

In the afterglow of the comedy routine of the opening act, Nick Swardson comes onstage. The cheers of the crowd fill the air of the Merle Reskin Theatre. The crowd knows that they’re in for a night filled with tales of gay robots, monkeys, booze, and poop jokes, and are ready and waiting for Swardson’s particular brand of humor.

But long before he set foot on the stage, a group of dedicated people was working hard to get him there.

On Wednesday the 20th, the comedian, known for his Comedy Central special and a number of television and film appearances including “Reno 911”, “Grandma’s Boy”, and “The Benchwarmers” came to perform for an audience of DePaul University students. The event, organized by the DePaul Activity Board’s comedy committee, took a lot of time and energy to successfully put on. DAB traditionally presents one large comedy show a year, with a few smaller performances peppering the academic calendar.

The process starts from the first day of Fall quarter, according to DAB comedy coordinator Bryan McMahon. First, he says, “There's venue research and booking (that always comes first) and then you can start looking for talent.”

The talent search consists of meeting with the rest of the DAB Comedy Committee. “I take a poll from my committee; we discuss our favorite choices and start looking into different acts from there.” The budget of the committee, which is not discussed outside of DAB meetings, helps to dictate what act they are able to book. Once they know the range they have to work with, it becomes a matter of contacting agents and agencies to see what their top choices cost and if there are any scheduling conflicts.

An offer is made to the talent agency that represents the performer, and once they accept and contracts get sent out, the Comedy Committee starts planning the logistics of the event. This includes tickets, programs, marketing, and equipment such as lights and microphones. “From there”, says McMahon, “it’s just making a list of things to accomplish and making sure all the loose ends are tied up by show night.” This includes making sure the staff members are in their places, knowing when and how the talent is arriving, and having a timeline for the show prepared.

Early on in the process, Swardson was chosen by the Comedy Committee in one of their brainstorming meetings. After looking into several comedians, “Nick Swardson was a popular candidate and he had the availability and price range we were looking for, so we just went for it.”

According to McMahon, Swardson was not a very hard performer to book. “The agents I spoke withto get the ball rolling were both very helpful from the very beginning. There's definitely still a process to it and thingsdon't happen overnight, but both he and his agents seemed very open and willing to put on a show for DePaul.”

               The committee’s choice was shown to be right as the comedian performed to the crowd filling almost all
1,325 seats of the 98 year-old theatre. Swardson kept the air filled with laughter. “It was a good combination of
old and new material,” says self-professed fan Caroline Selvig. “The crowd reacted really well, I think the majority
of people really enjoyed the show and thought it was really funny.” Ryan Sabin, a psychology major at DePaul,
says that Swardson “definitely came prepared with new laughs. It was a good time.”

CCP Nick Swardson

Add to My Profile | More Videos
Multimedia:

Pictures

Swardson performance from Comedy Central Presents



Sources:

Brian McMahon

bmcmaho6@students.depaul.edu

773.325.7446



Ryan Sabin

847.691.5672



Caroline Selvig

cselvig@gmail.com

Friday, February 22, 2008

DAB brings Nick Swardson to DePaul





In the afterglow of the comedy routine of the opening act, Nick Swardson comes onstage. The cheers of the crowd fill the air of the Merle Reskin Theatre. The crowd knows that they’re in for a night filled with tales of of gay robots, monkeys, booze, and poop jokes, and are ready and waiting for Swardson’s particular brand of humor. But long before he set foot on the stage, a group of dedicated people was working hard to get him there.

On Wednesday the 20th, the comedian, known for his Comedy Central special and a number of television and film appearances, came to perform at DePaul’s Merle Reskin theater to an audience of Depaul University students. The event, organized by the DePaul Activity Board’s comedy committee, took a lot of time and energy to successfully put on. DAB traditionally puts on one large comedy show a year, with a few smaller performances peppering the academic calendar.

The process starts from the first day of Fall quarter, according to DAB comedy coordinator Bryan McMahon. First, he says, “There's venue research and booking (that always comes first) and then you can start looking for talent.” An offer is made to the talent agency that represents the performer, and once they accept and contracts get sent out, the Comedy Committee starts planning the logistics of the event. This includes tickets, programs, marketing, and equipment such as lights and microphones. “From there”, says McMahon, “it’s just making a list of things to accomplish and making sure all the loose ends are tied up by show night.”

Early on in the process, Swardson was chosen by the Comedy Committee in a brainstorming meeting. After looking into several comedians, “Nick Swardson was a popular candidate and he had the availability and price range we were looking for, so we just went for it.”

According to McMahon, Swardson was not a very hard performer to book. “The agents I spoke with to get the ball rolling were both very helpful from the very beginning. There's definitely still a process to it and things don't happen overnight, but both he and his agents seemed very open and willing to put on a show for DePaul.”

The committee’s choice was vindicated as the comedian performed to the crowd of students filling every seat of the 98 year-old theatre. With a perfect combination of old and new material, Swardson kept the air filled with laughter. According to self-professed fan Caroline Selvig, “The crowd reacted really well, I think the majority of people really enjoyed the show and thought it was really funny.” Ryan Sabin, a psychology major at DePaul, says that Swardson “definitely came prepared with new laughs. It was a good time.”

 
CCP Nick Swardson

Add to My Profile | More Videos


Multimedia:
Pictures
Swardson performance from Comedy Central Presents

Sources:
Brian McMahon
bmcmaho6@students.depaul.edu
773.325.7446

Ryan Sabin
847.691.5672

Caroline Selvig

cselvig@gmail.com